MEMENTO MORI

Fragments, symbols and visual elements from previous works are reassembled into new costumes, banners and figures. Removed from their original installations, these elements are reactivated in motion, forming a temporary procession that moves through public space.

The city becomes the stage of a silent ritual. Performers carry images, forms and signs that once belonged to different works, now detached from their original contexts. As they advance through the streets, the works appear again, transformed into moving relics.

The procession functions as a living archive of the artist's practice.

Past works return not as documentation but as embodied presences, briefly occupying the city before disappearing again.